Artist Interview: Yehor

It all began in 2022 when DnB Doctor was born, and Yehor was right there with us from the start. But make no mistake—he’s no newcomer to the dark arts of neurofunk. With years of experience in both production and DJing, Yehor has already made his mark, including a release on the renowned Russian label TamRecords (now Neuropunk Records).

With over 10 releases on our label and more in the pipeline, now is the perfect time for Yehor to step into the spotlight and share his journey. And trust us—he’s got a lot to say.

Can you tell us a bit about your musical background? How did you get into drum & bass, and specifically neurofunk?

At an early age, I was already listening to electronic music, starting with the first albums of The Prodigy. Even back then, this music fascinated me. I also remember a local radio show that aired once a week at night, dedicated to drum and bass. The first time I heard those rhythms and deep basslines, I was completely captivated—this was the beginning of a passion that has stayed with me to this day.

At that time, a subgenre like neurofunk didn’t even exist—haha. Drum and bass gradually evolved, branching into different styles and sounds. Personally, I was always drawn to a more experimental approach with powerful rhythms.

As the scene developed, more artists and producers started experimenting with bass, and neurofunk became increasingly popular. Over time, most producers leaned into this direction.

What were your early influences when starting as a producer? Any artists that shaped your sound?

Yes, of course—undoubtedly. Artists like Noisia, Black Sun Empire, State of Mind, Phace, Misanthrop, Future Signal, Audio, Prolix, and The Upbeats—essentially, the entire old-school crew—played a huge role in shaping the neurofunk scene.

However, to say that they directly influenced my sound? Not exactly. I always aimed to create something similar, but in the end, what came out was uniquely mine. I had my own vision of how a track should be structured, how I wanted it to look and sound. It seems that my inner perception naturally shaped my sound.

Your tracks have a signature energy—what’s your creative process like when starting a new tune?

The creative process always begins differently. Sometimes, I have a clear idea in mind but struggle to turn it into a full composition. Other times, everything just comes together effortlessly. The key is to stay focused on what you want to create, without distractions, and fully immerse yourself in the process.

From an energy perspective, it’s crucial to feel that the melody is engaging and memorable. In this style of music, that’s exactly what it should be—energetic and danceable.

What’s your go-to synth or VST for creating those signature dark basslines?

For several years now, my favorite synth has been Serum, with Massive as my go-to auxiliary synth. Before discovering Serum, I experimented with all kinds of synths, including FM8 and many others. But before all that, my foundation was built on Massive—the synth that started it all for me.

Do you have any production tricks or techniques you swear by?

The answer is simple: there’s no specific algorithm—just certain habits and experience.

What do you think makes a great neurofunk track stand out?

I believe it’s primarily about the idea of the track and the energy it conveys to the listener. But in the end, it’s all very personal—some people resonate with one sound, while others prefer something entirely different.

How do you see the neurofunk scene evolving in the next few years?

I don’t think there will be any radical changes—more or less, things will stay the same. Unless a new, groundbreaking producer emerges with a fresh, unique sound that everyone starts copying or trying to replicate, as has happened before and is still happening now.

That said, neurofunk itself isn’t going anywhere. It’s a high-energy, dancefloor-driven style that continues to electrify crowds, spreading positivity and a powerful vibe.

Are there any upcoming neurofunk artists or labels you’re really excited about?

It might sound surprising, but I don’t listen to as much drum & bass as I used to, so I don’t actively keep up with new artists in the neurofunk scene. These days, I find myself exploring a variety of genres—I’ve always been a music lover at heart.

Because of that, I don’t have a specific favorite among new producers. I believe every artist brings something unique to the table, and it ultimately comes down to personal taste.

Can you share some insights into your latest release? What was the inspiration behind it?

It’s hard for me to explain how inspiration works or where it comes from—it’s either there or it’s not. For me, the most important thing is simply the drive to create.

For my latest release, the inspiration most likely came from the vocal part. Something about it caught my attention, and the entire track was built around that element.

Do you have any exciting collaborations or projects lined up for the near future?

I’m not opposed to projects and collaborations, but I often don’t have enough time for them. It’s simply easier to focus on my own material—there’s more creative control and flexibility, allowing me to fully shape the music the way I envision it.

What’s been your favorite gig so far? Any standout moments?

One of my most memorable experiences was performing in China at a nightclub with several thousand people. I went there expecting a regular gig, but I was completely blown away by the scale of it—I never imagined a nightclub could be that massive. It was both intimidating and incredibly exciting to play for such a huge crowd.

How do you approach your DJ sets—do you go in with a planned selection or mix more on the fly?

Most of the time, it’s prepared material, of course. But once you get into the flow, improvisation naturally starts to take over.

If you could collab with any artist, past or present, who would it be?

I would gladly collaborate with any of the artists from the old-school neurofunk scene mentioned earlier. But in general, I’m open to working with any artist from the newer generation as well—if their sound and energy resonate with me.

What’s a non-music-related hobby or passion of yours?

I wouldn’t say I have a single, dedicated hobby—rather, I have a mix of different interests. I enjoy things like cycling in nature and recreational target shooting, but overall, it’s just a blend of everyday activities and hobbies that keep life interesting.

What’s the wildest or funniest thing that’s happened to you at an event?

During one of my DJ sets, right in the middle of the performance, my Sennheiser HD 25 headphones literally fell apart on my head—the right ear just gave out. It was a total shock, and for a moment, I froze. Somehow, I managed to keep mixing with just one ear, and for two or three transitions, I had to repair my headphones right there at the DJ booth.

Luckily, I got them working again and was able to finish the set, but that moment will stay with me forever—definitely one for the books! Hahaha

Final Thoughts

Music, for me, has always been about passion, energy, and evolution. From discovering drum and bass in my early years to experimenting with my own sound, the journey has been both exciting and unpredictable. While trends in neurofunk may shift, its core essence—raw energy and dancefloor power—will always remain.

Whether it’s pushing creative boundaries, facing unexpected challenges during a DJ set, or simply enjoying the process of making music, one thing is certain: the love for this sound never fades. And while I don’t follow every new artist or trend, I know that great music will always find its way to the surface.

At the end of the day, it’s all about staying true to your sound, embracing inspiration when it strikes, and keeping the energy alive. Let the bass roll!

Follow Yehor at:

Yehor – Spotify

Yehor – SoundCloud

Yehor – Instagram

Yehor – Facebook